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has moved from contract status at the CBS soap to a recurring role.

“I had been talking with my management and my team about this for awhile, and it’s almost as if I kind of manifested it maybe because it felt like it was running its course,” Young tells Variety exclusively about his role as Rick Forrester.

Young shares that the character is “incredibly important” to him, as well as the show, so while he is no longer with the show full time, he is glad to be able to still pop up “here and there.”

“I’m very grateful for Brad Bell and ‘ Monkey Orchidprint superskinny scarf Rockins lNxesi
’ — for theirvision and having faith in me as an actor and in giving me all of the story that they have over the years,” Young says.

News of Young’s status switch at “Bold and the Beautiful” was first reported Thursday, which continental purse Pink amp; Purple Mansur Gavriel P7oFui
.

After receiving hundreds of responses on the social media site, Young says it “adds a bit of relief” to have a group of people who will follow him to the next project.

“They’re going to root for you all the way. It’s an undying, unwavering love, for sure,” Young says, noting he wants to thank his audience for their “kind words” and support.

“I’m pursuing wholeheartedly my other passions, but I’m still around,” he adds.

Here, Young talks with Variety about the decision to move beyond “The Bold and the Beautiful” as well as what is next for his acting — and his music.

What went into the decision to step down from “The Bold and the Beautiful” at this time in its run and your career?

I started so early in the industry, and I was limited on what kind of characters I could play. Most of them were on the younger side, and daytime would lean itself to that. There were very few film roles that would have been right at that age [of] 17 to early 20s, and if I was trying to get those roles at that time, you kind of get pigeonholed into the teen movies, and very few people make it out of that alive with a career still intact. But we felt with the way the market is going right now and the offers that I’ve been getting that this was the right time…to make that move. It feels right. There are a lot of opportunities that have been coming— opportunities I’ve had to turn down because of being tied up under contract.

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There’s an argument to be made that these kinds of stories should be told. From the perspective of a show looking to tell difficult tales about difficult people, the decision to have David do this to Syd probably felt like an all-too-accurate and believable version of how these events play out in everyday life, albeit aided by psychic powers instead of roofies. But I’m not sure a show where guys with baskets on their heads and kung-fu fight scenes set to Jane’s Addiction has earned that story beat. When someone on a Marvel superhero show—even one as odd as Legion —tells us a character might become a villain, we allow for powers, and betrayal, and even violence. But abruptly pivoting to a painful and common reality feels like a betrayal of the narrative contract the series spent two seasons establishing. Farouk is a rapist—he is the villain and has been clearly established as such, so we accept it. I don’t know if I can accept David’s actions, not when they haven’t been properly set up narratively and justified psychologically, both on our end and his.

David defeats the Shadow King (thanks to Lenny’s bullet and the Choke) and starts pounding him senseless, but before he can land a fatal blow, Syd shows up and tries to shoot him, having been convinced by Farouk-Melanie that her beau was indeed becoming a monster who must be stopped. It’s understandable David would feel betrayed; he had just done a bunch of ugly stuff, all in the name of protecting his love. (“It’s what we have to save,” he again Modal Scarf the galaxys edge 33 by VIDA VIDA vXfZiMx4B
.) And he’s not that person—not yet, anyway. It’s actually very easy to feel for David in that moment, as he’s so hurt: “Don’t you trust me?”

So when he wakes up in his own basement, and proceeds to have the three-way argument with himself, you can see why these new versions of David have erupted. He’s wounded, and the one person he truly loved has somehow rejected him in the most clear-cut manner imaginable, so a part of him tries to make sense of it in any way he can. Hence the disagreement—she’s his parasite, her love is the delusion, they all owe David everything and he should just take charge as a superior being. The episode continually returns to the God metaphor, from his quick aside to Lenny (“God has plans for you”) to Clark’s season-ending words: “Now we pray.”

Even Farouk is sounding like the voice of reason in that regard. David’s late night debate with his tormentor hinged on the Shadow King making David see how his actions weren’t all that different from Farouk’s. The moment that Farouk makes David realize how his efforts will backfire—and we learn just what David did to Syd—is a brutal one. The decision to suppress her memories is indeed a form of drugging her—he’s altering her perception to get what he wants, and once Farouk is safely contained, and Syd’s in her room, he projects himself in there, tells her everything’s fine, and proceeds to sleep with her. It’s vile stuff—there’s a reason that when Buffy The Vampire Slayer pulled a lesser but quite similar move , it made sure to have the victim discover she’d been magically drugged before any intimacy happened. Because that’s a line that can’t really be walked back, character-wise.

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